Welcome to the Blog…
Last year was enormously busy and my poor blog has been rather neglected. One of my goals for 2024 is to give it some care and another is to start sharing my passion for making again. With that in mind I am going to show you how to use a coil framework to make a hanging heart decoration.
If you haven’t tried coil basketry before, this is a great, quick introduction to the basics; starting a coil; adding new wrapping fibre/yarn; shaping and finishing.
If you have made coil baskets before, it is a good opportunity to consider the use of coil frameworks for decorative elements or even sculptural pieces.
All that you need is some yarn (something that’s not too springy is best), thread cutters and a needle. Tapestry needles work well, but if you’re using very fine thread an embroidery needle would be better.
Begin by cutting several lengths of yarn, twine or plant fibre, to make the core. How much you will need depends on the thickness of the core material. There are no rules, but in this tutorial I am using three lengths at approx. 40-50cm long and an additional length, to use as the wrapping thread.
It is a good idea to stagger the lengths, so that they don’t all run out at the same time. That way, as one length runs out, you can simply add another to the remaining core.
Take the top end of your core and place the wrapping thread with it, as shown in the second photo below.
Holding both the core and the short end of the wrapping thread tightly with one hand, begin to wrap the wrapping thread around the core. Start approx. 4-5cm from one end of the core and wrap towards the short end. Begin in front of the core and wrap up and around to the back of the core. Then follow back around to the front.
Wrap a small section. Again, how long the section should be depends on the thickness of your yarn/fibre. In the first photo below, you can see that I have wrapped approx. 2cm of core. If you are using a very fine yarn, 1cm or less will be sufficient. It needs to be long enough, so that you can bend it around to make a loop (as is shown in the 2nd photo below).
Then continue by joining both sections of core together and wrapping around it all. This time, you will be working down and around to the back (as shown in the 2nd and 3rd photos).
When you only have a 4-6cm of wrapping thread left, you will need to add a new one.
Lay a 2-3cm of the new thread in with the core, with the rest of the length going in the direction of the work that you have already wrapped (see the first photo below).
Wrap the old thread/fibre twice around the new one, securing it in place. (2nd photo below)
Then continue to wrap in the same way with the new thread/fibre (third photo). The first couple of wraps will be on top of the securing wraps. Pull extra tight to avoid a bulge.
A quick word about wrapping here. When I am wrapping, I pull tight. You want to compress the core as much as possible to create neat, strong work.
Continue wrapping tightly, leaving no spaces in between. We don’t want to see any core between the wraps.
How long the first section of wrapping will be, depends on how big you would like your heart to be. You could make any size, so try bend the wrapped section around into a circle. Is it big enough for you yet?
Remember, this will be the inside edge of the heart, so the completed heart will be a little bigger.
When you’re happy with the size, you need to secure the working end to the original loop that you made, using a joining stitch. There are lots of different techniques for making a coil basket. This one is my favourite and is just a series of wrapped sections and joining stitches.
So thread your needle onto your wrapping thread and as you bring down the thread in front of the core (as you would normally while wrapping), put the needle through the loop and pull tight, securing the two together (see 2nd photo below).
Make two more wraps around the core and then make a second joining stitch.
Depending on the size of your work, you may need to make more joining stitches into the loop. Two fit comfortably into mine.
Wrap twice more, but this time make your joining stitch go right around the original wrapped section that you made. Then wrap twice more.
You will continue working like this until you get half way around the circle that you have made.
A note about the distance between joining stitches – There are no hard and fast rules here. You will want to keep your joining stitches at regular intervals between wrapped sections, so that your work looks neat and tidy. However, depending on the round that you are on or the shape that you are making, it might make sense to add an extra wrap here or one less there.
The things that you need to consider are:
– how it looks. The distance between joining stitches really affects how your work looks. You might want to experiment and see what you prefer.
-strength. As a general rule, the closer the joining stitches are, the stronger your work will be. If you leave long stretches of wrapped coil in between joining stitches, there will be some movement in your work. If they are close together, it will be as tight as a drum.
When you have worked about half way around your circle, you will need to start shaping your heart.
I have a set of crochet hooks that I always keep handy when I am working. The rounded handles are great for shaping nice curves in frameworks like these. On this occasion, I used a bamboo chopstick, bending the circle against it, to make the top of the heart. Once you have started the shape, you can pinch the two curves together, to make a more defined shape (see 2nd photo below).
You can simply pinch where the little starting loop is, to make the pointy bottom of the heart.
Now continue wrapping and joining until you get all the way around to the starting loop.
You can see in the 1st photo below, that once you reach your first joining stitch, you will need to make all of the joining stitches that follow go in between the previous two rounds of wrapped core. Just use your needle to draw the thread between those two rounds and keep wrapping and joining as before.
We are only going to work two complete rounds of joining stitches in this tutorial, so you’re almost there.
When you reach the top of the heart on this round, be careful to leave a gap between the joining stitches right in the middle (as shown in the 2nd photo below). This is because we will be attaching a thread here, so that the heart can be hung up.
As you are working the second round of joining stitches, keep taking the time to improve the shaping of your heart.
Define those curves at the top, pinch the point at the bottom and press the heart down flat against a hard surface.
Taking time and care over your work makes a big difference. Don’t hurry through, but enjoy the process.
As you come to the final stretch (see 1st photo below), you will need to thin out your core, ready for finishing your work.
Cut all of the core threads/fibres so that they just reach your finishing point (the bottom of the heart).
Now cut each thread to a slightly different length, leaving just one or two that reach the finishing point.
This will give you a nice graduated finish.
Now keep wrapping and joining until there is just 1-2cm of core thread left unwrapped (see 3rd photo below).
For this last section, you will only make joining stitches. There are no wrapped sections in between.
Make joining stitches until you have covered all of the core thread/fibre.
Carefully push your needle under the last stitches, slightly towards the back of your work and pull the thread through to secure it (1st photo below).
I find that a needle grabber is useful for this job, as the thread can sometimes be stubborn and you don’t want to mess up your beautiful work, trying to pull it through.
Most sewing supply shops will have needle grabbers. They are just a little circle of rubbery material, that helps you to get a good grip on your needle. They are inexpensive and it is definitely a good idea to get one, if you are going to be doing a lot of coilwork.
Now, cut the thread really close to the work, so that you can’t see the end (2nd photo). You will have to excuse the state of my thread snips. I have had them about 15 years and they are looking a little tatty. This is the second bit of equipment that I would recommend buying. A good pair of thread snips will make a really neat finish and if you are using plant fibres, they are great for carefully snipping away stray fibre.
Your heart is complete, just take the time to make any final adjustments to the shaping and then we will attach the hanging thread.
To make your heart into a hanging decoration, take a short length of the thread that you have been using and thread on your needle.
Insert the needle through that gap that you left between joining stitches, at the top of the heart.
Push the needle back through the same gap, but don’t draw the thread all the way through. This will make a little loop at the front.
Adjust the thread so that you have two even ends at the back and then put those ends through the loop (1st photo below).
Pull it tight.
To finish, knot the two ends of thread together.
I really hope that you enjoy making these. You could make a whole bunch and decorate some bare branches in a vase, or maybe use them to make a garland. If you celebrate Valentine’s Day, you could pop one inside your card.
Wren has already asked if she can have mine, I think she wants to hang them along our dresser. She just loves to decorate and always feels that the house is a bit bare after Christmas and her birthday are over.
If you do enjoy this tutorial, you can find others by looking through the tutorial section of my blog and I will be adding more to these through the year.
Six months ago we put up our polytunnel and its arrival transformed my summer into a whirlwind of activity. Even Wren (5 years) regularly says, “Is it the weekend again already?”.
We have only made it to the beach occasionally, as there has been so much to keep us busy at home. There’s been no need for a work out – carrying about 40 cans of water from the tap in the house, out to the tunnel once or twice a day has given me plenty of exercise!
To me, the tunnel has been a beacon of positivity through the last six months and a reminder of what I can accomplish when I put my mind to it. To Wren, my little shadow, it has been a place of wonder. So crammed with life – plants, birds and an enormous variety of pollinators, she has been fascinated by the whole process of growing from seed. In the tunnel, that process is so concentrated that it is almost magical and coupled with the protection that it gives from the weather, it is like stepping into another world, when you step through the door. To everyone else, it has been fresh food to eat everyday and a little peaceful haven to escape to.
It’s been a huge learning curve for me and some things have been fabulous successes, while others have not worked out and notes have been made for next year.
I have a tendency to try to cram too much in. I see a tray of hopeful seedlings and want them all to have their chance, but this has sometimes led to overcrowding and I have had to ruthlessly strip plants out, later on.
My squashes suffered from my enthusiasm, although the ten good ones that we have had, have been greatly enjoyed so far. I realise now that I should have resisted the temptation to plant up all of the successful seedlings, when I clearly didn’t have enough space. I planted the majority into large tubs, filled with lasagne layers to cut down on compost.
I think this would have worked out fine, if I had only planted one in each tub, but I put four to each tub and the result was lots of tiny squash that didn’t achieve their potential. It was great fun watching them grow everywhere though.
My most successful squash was a Golden Hubbard, which was late to germinate and so it didn’t get a space in the tubs. Instead I just stuck it in the main hugelkultur bed amongst the chard and asian greens and it went from being a rather sad specimen, to a huge healthy plant, which is still going strong in October, while the others were stripped out a couple of weeks ago.
Growing them vertically was a great success and I would definitely do that again next year, but I think the tubs will be used for something else and a new squash bed will be made along one side, with just a few healthy, productive plants.
If you haven’t tried Golden Hubbard before, I would urge you to try it, it grows so quickly and tastes divine roasted and mashed, with a little salt and pepper. I spread it thickly on toast with a bit of hummus and could have lived on that quite happily for weeks, if we’d only had more!
Cucumbers seem like a distant memory now that we’re in October, but were another example of me growing too much! Unlike the squash though, this didn’t hold back the plants at all. They were in the main bed and did really well, a little too well perhaps!
Growing cucumbers was a first for me and I had no idea how many one plant would produce. We had two varieties a miniature white for salads and a Parisian Pickling variety. Both produced so many fruits that I couldn’t keep up with them and we have eaten an enormous amount of dill pickles this summer and still have lots of jars left.
Wren was often found munching the little white ones, which provided a constant snacking supply while we were working in the tunnel.
So, just a couple of plants next year, rather than a whole row!
At least our lettuces were also a huge success, so that we had something to go with the cucumbers. We have had a constant supply of lettuce since May and eating a lettuce that was only picked minutes before, is a wonderful thing!
My tomatoes have had their ups and downs. I didn’t have anywhere to geminate them until the polytunnel went up, so they had a rather late start. Even once they were up, they seemed to grow so slowly and I felt sure that we wouldn’t get any tomatoes again this year.
I kept feeding them seaweed and nettle tea and as soon as the weather warmed up they started to make up for lost time.
Just when I was sure that the yellow and red cherry tomatoes would soon be ripening, disaster struck! I noticed what seemed to be blight on the lower leaves. I didn’t want to take any chances, so I pulled the whole lot out that day, keeping the tomatoes in trays but with little hope of them ripening.
To my great surprise, every one of those cherry tomatoes ripened indoors, over the coming weeks and we always had a bowl of tomatoes in the fridge, ready to use.
I am currently hoping that my Grushovka tomatoes will do the same, as they have been stubbornly refusing to ripen, but ever so slowly one or two are starting to turn.
There have been so many others – courgettes, kohl rabi, peas, beans, strawberries, spring onions, carrots, a variety of green leafy veg and so many flowers! It really has been a great start.
It will be interesting to see how the colder months go, when we don’t usually have anything growing.
As each summer veg has been pulled out, something new has been planted in its place for autumn/winter. So far from being empty, there is till a lot going on in there at the moment.
Beetroot, another round of asian greens, spring cabbages, spring onions, turnips, fennel, asparagus kale and leeks are all busy growing. There are some leftovers from summer too – nasturtiums, ground cherries and herbs, which are all keeping the tunnel like a little oasis in Orkney autumn.
So fingers crossed, we will continue to munch our way through fresh veggies all winter and next spring I have lots of plans for expansion. New outdoor beds will be going in, a soft fruit garden and if the budget will stretch to it, the beginning of a little orchard.
So much to look forward to and so much to be grateful for!
All the way back in February I contacted Michael Sinclair (The Orkney Woodturner), to ask where I might be able to get hold of some wood for whittling. I had a little project in mind, one I still haven’t got around to finishing, but Michael very kindly offered me some of his offcuts.
Michael mentioned that he had been interested in the idea of combining basketry with his work, for some time. Some of the neolithic pottery pieces that were found near to Michael’s home and workshop, had imprints of basketry and these ancient vessels have been an important inspiration and influence on many of his pieces.
We got together for a chat about the possibilities of bringing our crafts together, at Michael’s home, which he and his wife Sara built themselves.
You couldn’t wish to meet a nicer couple and Matt and myself have enjoyed our visits to Howar over the last six months, to discuss the project; life in Orkney; gardening and the challenges of running a small craft business from an island.
As well as the house and workshop, Michael and Sara have also built a gallery, which is part of the island’s craft trail and they offer a warm welcome to visitors who come to see Michael’s work. The buildings sit surrounded by a beautiful garden that they started from scratch, when they built the house and which is home to some wonderful Phormium Tenax (New Zealand Flax).
I am rather envious of these as my own Phormiums are just babies yet and my garden is very much a work in progress! Still, it gives me hope that one day my efforts will result in something that looks more like a garden and less like a field!
So it was decided that the baskets should be made with fibre from Michael’s own plants, a nice link to bring our work together. Connections are very important in my work and also in Michael’s. My own work is linked to my local environment by the plants that I gather and the found objects and materials that I often incorporate into my work. Michael’s work is connected to the rich history of Orcadian craft and the islands that have been home to his family for generations.
It has been my first collaborative project and I was more than a little nervous of taking on the responsibilty for finishing Michael’s wooden vessels, with my baskets. Michael has been a woodturner for the past 28 years and is on the Register of Professional Turners, so I really wanted to do his work justice. Not only that, but this was a collaboration, so it was important to make sure that my work was sympathetic to his – adding a little, but not taking away from the design of the vessels.
Michael was equally sensitive to my work, and created shapes and detailing that would be well suited to being ‘cocooned’ and enhance the texture and colour of the flax.
All of this had to be fitted around our ongoing projects and our busy families, but we finally finished the last piece and were able to see them grouped together for the first time, months after our initial talks.
We’re both really pleased with how they have turned out and I think that they speak well of the people that made them and the islands that inspired us both. For me, there is a strong sense of Orkney in them – strength, but also a delicate and simple beauty.
If you would like one of these three collaborative works, you can find them in Michael’s shop by following this link, https://michael-sinclair-woodturner.co.uk/ and you can also find out more about Michael and Sara and the process of making one of Michael’s pieces.
I had forgotten just how busy summer is, when suddenly everything seems to need doing at once. Although Matt and I might collapse at the end of each day, exhausted, there is no doubt about it – summer is glorious!
It seems an age since I wrote here last, but it’s with good reason. Since the polytunnel went up I have put in a huge amount of work to catch up on our delayed start to the growing season. It’s been hard work that is already paying off and I can’t tell you just how lucky I feel, to have that wonderful space!
The polytunnel has become a real focus of my day to day activities over the past few weeks. Not only have I been busy sowing seeds, potting on and planting out into a brand new, giant hugelkultur bed, but I also dry laundry and strip and dry fibres in there. Lark and Wren have been thoroughly enjoying it too, helping with the planting and sampling anything edible, that is ready to eat.
I used to think that I lacked some sort of special talent, that was required for growing plants. For many years, when my now adult children were small, I tried and failed to get into gardening and growing veggies, but it always ended up with everything eaten by slugs or forgotten, until it was too late.
I think that my focus was simply elsewhere in those early days of parenthood and home education, but it knocked my confidence and so, even though I loved gardens, we stuck to low maintenance outside spaces.
When we moved up to the islands I was determined to try again. By then, I had discovered more about no-dig, permaculture gardens and somehow it all made sense, where nothing had before.
Growing food and flowers from seed has become such a big part of my spring and summer rituals now, that I can’t imagine going back to a life without it. It has been such a calming influence – to transform neglected spaces, to check in with my plants each day, to go out into the garden to pick dinner. I have learned to accept the losses and rejoice in the triumphs and I think that I am a better person for it.
Audrey Hepburn knew what she was talking about when she said “To plant a garden is to believe in tomorrow”.
It is a very optimistic thing to do and I find that it helps me to meet life’s challenges with optimism too.
Summer hasn’t only been about growing our garden though. We have had amazing weather here, all through June. I honestly can’t remember the last time that I was so delightfully warm! It’s almost as if we have been magically transported to somewhere further south and we have crammed in as much out and about time, as we can.
I have realised lately, that we actually spend more time on the beaches in winter than we do during the warmer months, just because of the extra work to do in the garden and on our house renovations.
When we can get out, we have been enjoying exploring some new stretches of coast around the islands. One has quickly become a new favourite, the coastal path at Marwick and the cove by the old fishermans huts.
Matt and I went there for our anniversary and I knew at once that Lark and Wren would love it. So at the next opportunity, we drove across four islands taking a very generous picnic with us. We had intended to paint and draw while we were there, but in the end we had so much fun climbing, exploring and investigating the pools, that our sketchbooks never made it out of our bag.
All in all, this summer has felt very different to last year. Now I feel rooted in this place. The anxieties of those first few months have long since passed. The stripping away of conveniences that are so often taken for granted, no longer feel alien.
I do still fantasise on a daily basis, about having an actual bed, as Matt and I are still sharing a corner sofa and rest is so precious and important. But I often find myself at different points in the day, pausing for a minute or two and realising that I feel content. A deep and wholesome contentedness.
This change has largely been due to a shift towards the lifestyle that we hoped for, moving here. Thanks to so many of you for supporting my work, either by taking the time to read my words or by giving homes to my baskets, Matt has been able to leave the shift work that we were relying on. Instead, he is now self-employed, fitting work around the renovations, which has seen such a change in our living environment. Everyday, some job gets done that has an impact on our lives and well being. Living and working are falling into a sustainable balance, where the little moments don’t get lost, but are enjoyed and treasured.
I am so grateful for this life that we have and these glorious days of summer!